Sunday, 9 August 2020

Alla Francesca

 

Alla Francesca 

Alla Francesca was founded in 1989, by members of Ensemble Gilles Binchois. The central members of Alla Francesca are Brigitte Lesne (voice, harp), Emmanuel Bonnardot (voice, fiddle) and Pierre Hamon (winds), and each of the three continues to perform with Ensemble Gilles Binchois as well as their own projects. Lesne directs the female vocal ensemble Discantus, Bonnardot directs the vocal ensemble Obsidienne, while Hamon works as a recorder soloist in a broad range of repertory. As of 2002, Alla Francesca is directed by Hamon alone.

Alla Francesca focuses on the music of the thirteenth, fourteenth, and fifteenth centuries, and works closely with the Center for Medieval Music in Paris. To date, it has recorded exclusively for the Opus 111 label.

Quoting the group's liner note biography: Their repertoire ranges from the art of the troubadours at the end of the eleventh century to the sumptuous polyphonic works of the fifteenth. They perform by turns as soloists and accompanists, recreating all the diversity of this music and offering lively new readings of the different manuscript sources. In the framework of the Centre de Musique Médiévale de Paris, and through their teaching activities there, the members of the ensemble examine these sources in the light of research carried out by musicologists and themselves.


Recordings, listed chronologically by recording date:

Francesco Landini and Italian Ars Nova
Alla Francesca
Opus 111 60-9206
Ciconia: Motets, Virelais, Ballate, Madrigals
Alla Francesca & Alta
Opus 111 30-101
Llibre Vermell de Montserrat
w/ Cantigas de Santa Maria
Alla Francesca
Opus 111 30-131
Gautier de Coincy
Les Miracles de Nostre-Dame
Alla Francesca
Opus 111 30-146
Richard Coeur de Lion
Troubadours et trouvères
Alla Francesca
Opus 111 30-170
Beauté parfaite
L'Automne du Moyen Age - Chansons des XIVe et XVe siècles
Alla Francesca
Opus 111 30-173
Armes, Amours
Alla Francesca / Alta
Opus 111 30-221
D'amours loial servant
Chansons d'amour françaises et italiennes des XIVe et XVe siècles
Gérard Lesne / Alla Francesca
Virgin Veritas 45357
Le Roman de la Rose
Alla Francesca
Opus 111 30-303
Cantigas de Santa Maria
Alla Francesca
Opus 111 30-308
Sur la terre comme au ciel
Un jardin au Moyen-Âge
Discantus - Brigitte Lesne / Alla Francesca - Pierre Hamon
Jade 198 796
Istanpitta
Musiques de fête à la cour des Visconti en Italie à la fin du XIVe siècle
Pierre Hamon / Carlo Rizzo / Alla Francesca
Opus 111 30-325
Tristan et Yseut
Mélodies celtiques, France 13e siècle
Alla Francesca - Brigitte Lesne & Pierre Hamon
Zig-Zag Territoires 051002
Mediterranea
Alla francesca
Zig-Zag Territoires 090402
Thibaut de Champagne
Le Chansonnier du Roi
Alla Francesca - Brigitte Lesne
Aeon 1221
Trobar & Joglar
Alla Francesca
Agogique 017
Juifs et Trouvères
Chansons juives du XIIIè siècle en ancien français et hébreu
Alla Francesca
Buda Musique 860261

Solo recordings by the principal performers:

Lucente Stella
Moyen Age - XXe siècle
Pierre Hamon
Opus 111 30-122
Ave Eva
Chansons de femmes, XIIe et XIIIe siècles
Brigitte Lesne
Opus 111 30-134
Machaut: Ay mi!
Lais et virelais
Emmanuel Bonnardot
Opus 111 30-171

Sunday, 12 June 2016

Gregorio Paniagua/ Atrium Musicae

I came across Gregorio Paniagua and Atrium Musicae, because of the Cantigas de Santa Maria performed by Musicae Antigue under the leadership of Eduardo Paniagua. (see other posts)

Atrium Musicae was founded in 1964 and they were four brothers (Gregorio (1944) Eduardo, Carlos and Luis Paniagua and then Beatriz Amo, Christina Ubeda and Jesus Greus. other memembers were Pablo Cano and some others.

I found one video of 1977




The first recordings were the following ,which were later become known under the Colleccion de Musica Antigua Espanola, 5 cds all produced by Robert Pla.
1968  Cantigas de Santa Maria, El Sabio
1968  Musica en Catalonia XIV siglo

On this recording were playing;Marcel Moreiras, Christine Garcia, Mariano Martin, Eugenio Urbina, Javier Coello and then Gregorio, Eduardo, Carlos and Carmen (sister?) Paniagua.













1969 Monodia Cortesana Medieval /Musica Arabigo Andaluza


1970 Codex Huelgas

1971 Missa Barcelona (not part of the 5 cd's)

1976 MÚSICA IUCUNDA .SIGLOS XII AL XVII


1976 MUSIQUE ARABO ANDALOUSE





1976 TARANTULE-TARANTELLE












1977 DIEGO ORTIZ RECERCADAS
Pablo Cano, Beatriz Amo, Christina Ubeda  and Gregorio, Eduardo , Luis and Carlos Paniagua






1978 MUSIQUE DE LA GRECE ANTIQUE



1978 THIBAUT DE NAVARRE




1978 Codex Gluteo







1979 VILLANCICOS
Begona Olavide seems to have replaced Christine Ubeda on this album







1980 LA SPAGNA -XV-XVI-XVII Centuries 

With Christine Ubeda again, but also with Jacob du -ran-Loriga  and Rosalia Peraita and Maximo Paradera and then only Gregorio and Eduardo







1980 Batiscafo



 1981 with Lucia Bose ;lo Pomodoro



1981 los indias des espana

1982 LA FOLIA- DE LA SPAGNA

With Daniel Del Rio, Andre Prittwitz and Albertina Do Huette and then Gregorio, Luis and Eduardo Paniagua












 Fandango
 Spectacles  for tribuffalos


Friday, 27 May 2016

Master of Taull

San Climent de Taull


http://pantocrator.cat/en/veure_mapping_sant-climent-de-taull/

This video is extremely interesting as it also show what most likely it did look when it was complete
https://vimeo.com/73376537


The next video is more or less the same as the first link I gave you.


The next video is from the Catalonian Museum in Barcelone and in English




Santa Maria de Taull

The next video is also from the Catalonian Museoum in Barcelona









Wednesday, 25 May 2016

Cantor de Silos; Antionario Mozarabe de Silos



This CD is one of the 5 CDs where old spanish music is explored. On the first four CD Atrium Musicae is  involved under the direction of Gregorio Paniagua (the brother of Eduardo Paniagua) 
his album with the works of the Codex Calixtinus (based on the version used in Silos) and the Antofonaria Mozarabe, the producer  Roborto Pla uses the Cantor of Silos and they are singing full of devotion and it does not sound heavy. The Antifonria Mozarabe is absolutely wonderful and unique. Although the various elements (5 pieces) are sounding a bit repetitive, because they have similarities.



The brother Eduardo Panaigua became very famous because he later produced and recorded all the Cantigas de Santa Maria, (and they are wonderful ) but also he recorded more Visigotic-Mozarabe pieces, which you find on one of my posts; He also uses a light voice  for singing these wonderful pieces.

Eduardo Paniagua; Canto Visigotico-Mozarabe


I came to Eduardo Paniaua, because I was interested in the background of the Romanesque art in and around Catalonia and came to this beautiful RECORDING.



track 2 Surgam et Ibo


One of the most beautiful songs I have ever heard and a wonderful voice on top!
track 7; Oracion de Jeremias; Short version 2.17 min, but very good video



track 7; Oracion de Jeremias; Full version

Ensemble Organum; Codex Calixtinus


Tuesday, 24 May 2016

Schola Antiqua; Chant et Misa Mozarabe



Schola Antiqua


1 Misa Mozarabe

Rita Imiciales
Prælegendum Libera nos, Filius Dei, Salvator noster, 







Misa Mozárabe - Liturgia de la Palabra (Psallendum)  Haec est dies







2 Chant Mozarabe

1 Ordo in finem hominis diei 
Preces; Miserere, miserere




  Antiphon; Educ Domine



Antiphon; Aperiat tiri




Antiphon:Terra, terra




Anthiphone;  Sinite parvulos 



2 Cantica Ex Missa Mozarabica

Ante missam ;Per gloriam 



3 Ex Officium Defunctorium 

Responsorium; Surgam et ibo



4 Liturgia de la Consagración del Altar

(Rito Visigótico)

Corpora sanctorum 



Unxit te Dominus 




Induit te Dominus


Liturgia de la consagración de la Iglesia